Saturday, December 1, 2007

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Richter, Frank

The concept artist Frank Richter deals since the 90's with the phenomenon of hyper space. Using computer programs it generates complex compositions that challenge the perception and even overwhelming. In graphics, sculptures and installations are maintained according to the specification of mathematical rules of space configurations that go beyond the third dimension.
http://www.4d-screen.de/art-gal - homepage of Frank Richter



Frank Richter, randomly grid, c-

Wednesday, November 28, 2007

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Mantz, Gerhard

generated since 1997 Gerhard Mantz large-format landscape print with the computer. It only seems they are inspired by nature, because Mantz has not at all true to life replicas in closer inspection turns out to be the foliage of a plant even as a rather abstract hatching. Mantz waives any and all current references. He also switches between wide-and close-up view of central perspective or an all-over composition. The simulated deep forest or the banks entering into the background landscape in which one can literally get lost, forcing the viewer to take even a point of reference. His paintings look like the work of German Romantics like Caspar David Friedrich, both in terms of shot composition and the use of colors.

http://www.gerhard-mantz.de/ - Homepage of Gerhard Mantz

Tuesday, November 27, 2007

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Opie, Julian

characterized the work of Julian Opie is the reduction in visual perception moments. This principle is particularly evident in portraits, emerge when the characteristic facial features of people with a striking simplicity seem clearer. In recent work brings Opie as a new moment of movement. "This is Kiera" (2002) or "Bryan walking" (2004) show minimal figures, which are in a permanent move and not come yet from the spot. For this work, Opie uses large flat panel displays or displays that show where the computer-controlled animation of a permanent and fluid movement. A surrealistic effect results from the spacelessness of representation that räumichen as the only reference , the binding of the displays. The animation "Lyndsey talking" (2004) takes the language as a new design element.

http://julianopie.com/ - Homepage of Julian Opie



Julian Opie Installation View Barbara Krakow Gallery November 1999 - January 2000

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Netzhammer, Yves

to Yves Netzhammer important works include video projections and installations, in which landscapes can be simulated. It is always on the computer calculated surreal film repetitive sequences that have been designed with CAD programs. The surfaces look flat and artificial. The stories told are surreal. Pleasant Ntzhammer combined with Unpleasant, totes and vivid, the one with the people and the objects can flow into one another or pass from one to another. Earlier works are black and white line drawing, which are constructed thematically similar to the video installations. He has many line drawings but also distorted perspective and worked with optical illusions.

http://www.netzhammer.com/ - Homepage of Yves Netzhammer

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Rist, Pipilotti

While still a student turned Rist (born Elisabeth Charlotte Rist) Super-8 films. Her work is usually only a few minutes and alienated by technical effects color, changed the speeds and with Music highlighted. Rist engaged in their art, inter alia, gender roles and the female body image. Unlike many other conceptual artists to draw their work by an unusual sensuality and intense chroma and apparent naivety. Especially by the feminist art criticism Rist received early attention. Meanwhile, her work is represented in major collections of contemporary art.

http://www.pipilottirist.net/begin/open.html - Homepage of Pipilotti Rist

Saturday, November 24, 2007

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Viola, Bill

Bill Viola has been working for more than 30 years of video tapes, video installations, sound environments, electronic music performances and television productions. His video installation takes the viewer in image and sound worlds that are created with the latest technology and by their precision. Since the early 1970s, Viola involved in exploring the medium of video to investigate the phenomena of sense perception. His work is based on an examination of fundamental experiences of human existence such as birth, death and Bewußtswerdung, as reflected in the sources of the Eastern and Western spiritual traditions, including art and Zen Buddhism, Islamic Sufism and Christian mysticism. He has made a significant contribution to the establishment of video as a central medium of contemporary art and thus its spectrum expanded in terms of technology, content and historical references.

http://www.billviola.com/ - Official site