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Mantz, Gerhard

generated since 1997 Gerhard Mantz large-format landscape print with the computer. It only seems they are inspired by nature, because Mantz has not at all true to life replicas in closer inspection turns out to be the foliage of a plant even as a rather abstract hatching. Mantz waives any and all current references. He also switches between wide-and close-up view of central perspective or an all-over composition. The simulated deep forest or the banks entering into the background landscape in which one can literally get lost, forcing the viewer to take even a point of reference. His paintings look like the work of German Romantics like Caspar David Friedrich, both in terms of shot composition and the use of colors.

http://www.gerhard-mantz.de/ - Homepage of Gerhard Mantz

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Opie, Julian

characterized the work of Julian Opie is the reduction in visual perception moments. This principle is particularly evident in portraits, emerge when the characteristic facial features of people with a striking simplicity seem clearer. In recent work brings Opie as a new moment of movement. "This is Kiera" (2002) or "Bryan walking" (2004) show minimal figures, which are in a permanent move and not come yet from the spot. For this work, Opie uses large flat panel displays or displays that show where the computer-controlled animation of a permanent and fluid movement. A surrealistic effect results from the spacelessness of representation that räumichen as the only reference , the binding of the displays. The animation "Lyndsey talking" (2004) takes the language as a new design element.

http://julianopie.com/ - Homepage of Julian Opie



Julian Opie Installation View Barbara Krakow Gallery November 1999 - January 2000

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Netzhammer, Yves

to Yves Netzhammer important works include video projections and installations, in which landscapes can be simulated. It is always on the computer calculated surreal film repetitive sequences that have been designed with CAD programs. The surfaces look flat and artificial. The stories told are surreal. Pleasant Ntzhammer combined with Unpleasant, totes and vivid, the one with the people and the objects can flow into one another or pass from one to another. Earlier works are black and white line drawing, which are constructed thematically similar to the video installations. He has many line drawings but also distorted perspective and worked with optical illusions.

http://www.netzhammer.com/ - Homepage of Yves Netzhammer